Have you ever noticed how many times St. John the Apostle and Evangelist is represented in our church?
Saint John is the left-hand figure in Nicola D’Ascenzo’s Saint Cecilia window in the choir loft based on an altarpiece by Raphael. He is also the right-hand figure in the round stained glass window on the Mary side of the church, inspired by Andrea del Sarto’s “Madonna of the Harpies.” He kneels beside Jesus in the middle long window on that side of the church, as Jesus names Peter; and he hides in the bushes in the Agony in the Garden window. He is next to Jesus at the Last Supper on the freestanding altar from MBS and he kneels with Mary at the foot of the crucifixion mosaic.
Emblematically, Saint John’s apostolic symbol is near the 47th Street door; his Gospel is quoted above a former confessional; and he appears as one of the four Gospel-writing Evangelists, on the pillars supporting our dome. His sculptured eagle symbol also appears below the lectern on the old high pulpit, where the Bible would rest, since his gospel begins “In the beginning was the word…”
Why is St. John all over our church?
Beardless John is said to have been the youngest apostle and brother of James. As one of the original twelve, he was present at all the big moments in the adult life of Jesus. He also thought to have written one of the four Gospels, describing those events. According to his own account, he was the first to believe that Christ had risen from the dead. He is said to have written several Epistles, later, from Ephesus (Turkey today). And his contributions have been studied and commemorated by scholars and artists through history.
Based on his identity as gospel-writer, various groups have adopted St. John as their patron over the centuries: he is invoked by writers, theologians, and those in the book trade. But all the attributions are based on traditions about him: we know very little about the real man. Scholars are not even entirely sure that the Apostle and the Evangelist are the same person! And debate continues over whether he also wrote the book of Revelations.
This mysterious “facelessness” allows John, known traditionally as the “Beloved Disciple,” to be our symbolic representative. When he participates in the Last Supper or kneels before the cross, we put ourselves in his place and share his experience. It’s a useful spiritual exercise, although too much of a backward focus can also lead us away from the message that we need to act in the spirit of Christ today!