Who are these four people and what has brought them to their knees in the middle window on the St. Mary side of St. Francis de Sales Church?
Crafted around 1910, the long stained glass windows at the back of the church were one of Philadelphia stained glass artist Nicola D’Ascenzo’s first big commissions. Episodes from the life of St. Francis de Sales in the lower part of each window, were carefully synchronized to the life of Christ above them, and with an Old Testament prophecy at the top. But only a few of the Jesus windows have captions so we have to use other clues to find their meanings.
The prophecy above the middle window, from the psalms of David, translates: “The Lord hath sworn…thou art a priest…He shall judge among nations.” And the bottom part of the window shows St. Francis de Sales establishing the cloistered Sisters of the Visitation: “giving St. Jeanne de Chantal and her first two companions the rules of visitation” (D’Ascenzo conveniently copyrighted that design with its description). The associated Jesus scene should, therefore, relate to religious life.
The four kneeling figures in the Jesus window have halos, so they are saints — and they are men, so probably apostles — and the picture represents a significant event between the Sermon on the Mount and the Agony in the garden. Why do they kneel? Wikipedia helpfully observes that “Kneeling, similar to bowing, is associated with reverence, submission and obeisance, particularly if one kneels before a person who is standing or sitting: the kneeling position renders a person defenseless and unable to flee. For this reason, in some religions, in particular by Christians and Muslims, kneeling is used as a position for prayer.”
When Jesus lays his hand on the head of one of the respectful men — like a monarch bestowing a knighthood – the meaning becomes clear: he is saying “Thou art Peter; and upon this rock I will build my church….” (Mt 16:18)
The early 1900s, when our church was built, were troubled times of local religious intolerance and rising European hostility to Pope Pius X – part of the simmering global unrest that led up to World War I. Our window reassured parishioners of their faith’s deep roots and enduring history. Further, it offered a social example. The 1909 Catholic Encyclopedia, current when our church was built, suggested that kneeling and standing were both acceptable prayer postures, but the ancient gesture of bending the knee had a more profound significance as an expression of reverence, humility, and trust.